Master’s in Editorial Design & Digital Publishing
- October 2026
- 100% online
- Spanish
- 6.100€
- 12 months
- 60 ECTS
Master the next-generation editorial workflow: from niche design to interactive content architecture.
Today's editorial ecosystem demands profiles capable of moving between the fetish of paper and the complexity of the digital environment. The Professional Master’s Degree in Editorial Design and Digital Publications at ESDESIGN is positioned at this technical intersection. Here, you don't just design publications; you learn to manage the entire value chain, integrating generative AI processes, industrial pre-printing and the development of digital ecosystems for tablets, smartphones and the web.
To stand out in the industry, the programme moves away from theory to focus on high-performance tools:
- Collaborative Engineering: Professional use of InDesign + InCopy to synchronise real work between newsrooms and design, optimising lead times in complex projects.
- Enriched Digital Experience: Development of interactive publications using ButtonPublish and advanced ePubs for iOS, Android and responsive environments.
- Art Direction and AI: Application of artificial intelligence in the creation of visual narratives and photography, while maintaining aesthetic control and brand consistency.
- Industrial Production: Specialisation in printing processes, substrates and finishes, with direct control over budgets and technical feasibility.
The programme is designed to transform designers, journalists and communicators into high-demand hybrid profiles. It includes preparation for Adobe Certified Professional certifications (InDesign, Photoshop and Illustrator), projecting your career towards roles such as: Editorial Art Director (Print & Digital); Interactive Publications Designer and Senior Layout Artist; Content Strategist and Consultant in Editorial Digitalisation Processes.
"We provide a comprehensive education across all key areas of editorial design, from core fundamentals to the latest digital trends and technologies."
Why study the Professional Master’s Degree in Editorial Design?
Comprehensive management of editorial projects, focused on creativity and innovation, using industry-leading tools.
Additional workshops and masterclasses tailored to your level, including typography design and more.
Dedicated software learning environment with personalised guidance adapted to your level: InDesign, Illustrator, Photoshop, and Lightroom. Includes Adobe Creative Cloud and Figma licences.
Certification as an expert in Adobe Creative Cloud tools through Adobe Certified Professional. Includes a structured support plan to help you successfully prepare for the exams, with tailored guidance, specific content for each software, and additional video resources.
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Why study at ESDESIGN?
Our exclusive Welcome Plan brings together disciplines, offering a range of workshops and Adobe open classrooms specifically designed for each level, helping you integrate and strengthen your professional network from day one.
Students whose work achieves the highest grades upon completion will be selected to receive mentoring, scholarships, and to present their projects in prestigious competitions.
Guided learning, mentoring and continuous feedback provided by industry professionals who help develop your talent.
Connect with our community, take part in key industry events, and engage in activities and challenges.
Study Plan of the Professional Master’s Degree in Editorial Design
The Professional Master’s Degree in Editorial Design and Digital Publishing is composed of 10 modules, a Final Master’s Project, 1 open classroom session, 1 additional programme workshop, and 2 transversal workshops:
You will analyse editorial projects from the ground up: content, objectives, and publishing context across both print and digital media. You will work on defining structures, typography, editorial systems, and visual rhythm as key elements of editorial design. You will develop the criteria to organise information clearly and effectively, understanding how each decision impacts readability, comprehension, and user experience. You will also learn to assess the versatility of the editorial process and its impact on the quality and coherence of a professional publication.
Faculty
EDITH STONE, FOUNDER AND CREATIVE DIRECTOR AT CLOUT& CO
Editorial designer with a strong international background. A graduate of Parsons School of Design (New York), she has worked as Art Director for Swatch North America and spent seven years at Cases i Associats, leading redesigns and launches of newspapers and magazines in cities such as Buenos Aires, Lisbon, Geneva, and Barcelona. She has collaborated with media outlets including La Vanguardia, Clarín, El Diário de Lisboa, and Vogue, and has been recognised by The Society of News Design and the Type Directors Club of New York. She currently combines her work at Clout & Co., a studio specialised in strategic editorial design, with teaching in undergraduate and master’s programmes in Barcelona.
You will explore the history of typography within editorial design, understanding how it has evolved across magazines, books, and digital publications. You will analyse typographic styles, classifications, and hierarchies, and how their use influences readability, aesthetics, and the reader’s experience. You will learn to select and combine typefaces strategically, integrating form and function to communicate effectively in contemporary editorial projects.
Faculty
ESTELA IBARZ, GRAPHIC DESIGNER
Specialised in visual identity and typography. She is the founder of Parte Studio and the type design project Bruta Types, and has worked at leading studios such as Mucho, Toormix, and Grande. With a background in Fine Arts, a degree in Design, and a Master’s in Typography, her work is defined by a strong conceptual approach, attention to detail, and a deep sensitivity to visual language and typographic form.
You will master InDesign as the main tool for creating fanzines and editorial publications. You will learn to design layouts, structure, and organise content professionally, optimising typography, imagery, and styles for creative projects. This module will enable you to transform ideas into visually compelling and functional publications, strengthening your ability to communicate clearly and effectively within the editorial field.
Faculty
QUIQUE LÓPEZ, FOUNDER AND DIRECTOR AT PINO DESIGN
After working in various studios and agencies, he founded Pino in 2016, collaborating with major brands such as Burger King UK, Burger King ROI, Wyndham Hotels, Cauchos Karey, Albert and Ferran Adrià, Equilibrium, and actahotels. He has received a Laus Silver Award in the graphic design category (naming and book design), and has also served as a jury member for these awards in 2014, as well as for the Valencia Crea competition in 2005, 2006, and 2007.
You will deepen your understanding of planning and developing an editorial project, learning to make consistent decisions across all graphic elements: formats, typography, grids, photography, and illustration. You will explore key roles within an editorial team and how to coordinate timelines and responsibilities to ensure efficiency and quality. This approach will enable you to create consistent, engaging, and professional publications, optimising both design and team workflow.
Faculty
ROSA RODRÍGUEZ, ART DIRECTOR AND CONSULTANT IN BRAND DESIGN AND VISUAL COMMUNICATION
Creative professional specialised in corporate identity, editorial design, and art direction, with a strategic and multidisciplinary approach. She holds a degree in Advertising and Public Relations, as well as a Master’s in Design and Communication. Throughout her career, she has developed projects in branding, corporate communication, creative consultancy, and project management, combining professional practice with teaching. She currently collaborates with institutions and studios such as the Johan Cruyff Institute and Kern Editorial, among others.
You will learn to manage the entire editorial production process, from preparing original files to final printing, considering formats, colour management, inks, and finishes. You will explore graphic reproduction techniques, print-ready file preparation, and how to optimise costs and budgets. In addition, you will develop the skills to coordinate effectively with clients and suppliers, ensuring a professional and efficient workflow across editorial projects of any scale.
Faculty
GERMÁN CHAMARRO, GRAPHIC DESIGNER, ILLUSTRATOR AND VISUAL ACTIVIST
After several years collaborating with design studios and animation companies, he founded Mancha in 2002, his own graphic design studio focused on innovation, experimentation, and the development of clear, direct, and coherent visual solutions aligned with client objectives.
In 2006, he also founded Colectivo MUUU, a graphic design collective with a critical and cultural focus that promotes learning, dissemination, reflection, and creative exchange. His work is characterised by strong conceptual and emotional engagement, combining visual thinking, commitment, and creativity in every project.
You will focus on art direction applied to illustration and infographics, learning to communicate clearly and effectively within editorial media. You will analyse how to integrate illustrations and graphic resources with content while maintaining visual and narrative consistency. Through hands-on workshops, you will master current trends and gain control over composition, style, and aesthetics, ensuring that every element reinforces the identity and message of the editorial project.
Faculty
ROMUALDO FAURA, GRAPHIC DESIGNER
He currently runs his own design studio in Murcia (Spain), where he develops illustration, data visualisation, and icon design projects for studios and clients both nationally and internationally, including The New York Times, Google, The Guardian, National Geographic, Marriott, Pfizer, and Samsung, among others. His work has been recognised and awarded in various international design competitions.
Photography is a fundamental pillar in the editorial world, capable of building powerful and engaging visual narratives. In this module, you will learn to apply art direction to your photographic projects, from initial concepts and moodboards to final campaign execution. You will incorporate generative AI tools to streamline image production while maintaining coherence and visual consistency. You will develop control over planning, tone, and aesthetics, combining creativity, innovation, and visual direction in every project.
Faculty
JAVIER PEREDA, CREATIVE DIRECTOR AND FOUNDER OF ESIETE
Founder of ESIETE, an integrated consultancy focused on design, strategy, and content. With a strong commitment to excellence in both ideas and execution, his work has been recognised at national festivals such as the Laus Awards and the Letra Awards, as well as internationally at the Art Directors Club Europe and the European Design Awards. He is also the founder and director of the magazine paseodegracia.com.
You will understand how new formats are transforming content consumption, placing the reader at the centre of the experience. You will learn to design editorial products for digital environments, selecting typography, colour, imagery, and structure based on usability, clarity, and visual appeal. The module covers print books vs. eBooks, as well as interactive publications for iPad and Android tablets, teaching you to combine creativity, functionality, and user experience in every digital project.
Faculty
ÓLIVER MONTIEL, CO-FOUNDER AND DESIGN DIRECTOR AT BOLD STUDIO
With over 20 years of experience in design, he has worked in agencies as both a designer and art director. In 2006, he co-founded BOLD, a branding studio based in Spain, where he is Partner and Design Director. His work has been recognised with awards such as the Laus and Pentawards. He holds a degree in Design from ISEC Lisbon and has furthered his education at institutions such as Central Saint Martins and the Berlin School of Creative Leadership. Since 2013, he has combined his professional practice at BOLD with teaching.
You will master industry-leading editorial tools such as InDesign, working in an integrated way with plugins like ButtonPublish. You will learn to create interactive editorial applications and translate your projects into digital environments, optimising layout, interactivity, and user experience. This module prepares you to develop engaging, functional digital editorial content adapted to different platforms and devices.
Faculty
SERGIO ORTIZ, GRAPHIC DESIGNER
Specialist in brand creation and transformation. He supports small and medium-sized businesses in connecting authentically with their audience and enhancing their perceived value through strategic and tailored design solutions. His work ranges from developing distinctive visual identities to purposeful packaging design and editorial projects that communicate with clarity.
Te adentrarás en el proyecto editorial digital en línea, explorando cómo la web puede convertirse en un medio editorial funcional y atractivo. Analizarás la adaptabilidad de la publicación digital, la experiencia multiplataforma y los paradigmas del diseño web responsive. Aprenderás a planificar y estructurar contenidos para dispositivos móviles y desktop, entendiendo cómo combinar estética, funcionalidad y narrativa digital para crear revistas online modernas y efectivas.
Profesorado
LAURA SANTARELLI, DISEÑADORA GRÁFICA Y DIRECTORA DE ARTE
Tras graduarse en Comunicación Visual en la Universidad Bauhaus de Weimar (Alemania), colaboró como editora de imagen para la revista Die Epilog antes de trasladarse a Barcelona y unirse a los estudios de diseño Mucho y Clase. En 2022, cofundó Phantasia, donde trabaja para una amplia gama de clientes en distintos sectores. Phantasia ofrece servicios creativos en todos los ámbitos de la comunicación visual, desde proyectos de marca y producción de contenidos hasta medios impresos y productos digitales.
An Adobe Creative Cloud learning space where you will work with key tools such as InDesign, Illustrator, Photoshop and Lightroom. You will have access to resources and exercises structured across three levels of difficulty (beginner, intermediate and advanced), allowing you to progress at your own pace. In addition, you will receive guidance from an expert instructor who will support you in the practical application of these tools. The program runs for 6 weeks and takes place alongside the introductory workshop and the first course module.
Faculty
QUIQUE LÓPEZ, FOUNDER AND DIRECTOR AT PINO
After working in several studios and agencies, he founded Pino in 2016, a design studio that has worked with major brands such as Burger King UK, Burger King ROI, Wyndham Hotels, Port of Barcelona, Cauchos Karey, Albert and Ferran Adrià, Equilibrium and actahotels; as well as restaurants like Granja Elena, Almarge and Grupo Capet, and educational platforms such as Esade and Aurea.
The growing consumption of digital content has led the publishing industry to evolve beyond traditional formats, transforming texts into enriched and interactive reading experiences. In this context, you will learn how to design e-books for digital environments where platforms shape how users engage with content. You will develop the ability to adapt editorial projects to new reading habits, combining usability, design and narrative to create engaging digital publications.
Faculty
ROSA RODRÍGUEZ, ART DIRECTOR AND CONSULTANT IN BRAND DESIGN AND VISUAL COMMUNICATION
A creative professional specialized in corporate identity, editorial design and art direction, with a strategic and cross-disciplinary approach to design. She holds a degree in Advertising and Public Relations and a Master’s in Design and Communication. Throughout her career, she has developed projects in branding, corporate communication, creative consultancy and project direction, combining her professional work with teaching. She currently collaborates with institutions and studios such as the Johan Cruyff Institute and Kern Editorial, among others.
Today, working as part of a team where editors and designers must collaborate closely is a common reality across the industry. In this workshop, you will explore the use of InCopy as a key tool within the design process, enabling copywriters, editors and designers to work simultaneously on a shared file and streamline their workflow.
Faculty
JOANCA CASASÍN, TYPE DESIGNER, SELF-TAUGHT AND FOUNDER OF CASASIN TYPE DESIGN
Specialized in type engineering, custom type design, lettering, logo design and the development of tools for designers. He has created corporate typefaces for international brands and institutions such as Adidas, Vibo, Atrápalo.com, Kipling, STM Montréal, San Francisco Art Institute, Canadian Museum of Human Rights, Sid Lee, Cinematek and TPG Genève. His work combines technical precision with visual sensitivity, developing typographic systems that strengthen the identity and expressiveness of each project.
A journey through publications that, often found in the more hidden corners of newsstands, immerse us in the worlds of trends, fashion, sports, music, art and other cultural expressions in a bold, unconventional and distinctive way. Through this lens, you will explore typography as a key expressive tool—one that challenges established norms and conveys a strong editorial vision.
Faculty
LAURA MESEGUER, TYPE DESIGNER AND FOUNDER OF LAURA MESEGUER STUDIO, TYPE-Ø-TONES AND TIPO-G
Specialized in custom type design for branding and editorial projects, she creates everything from monograms to full type families, delivering tailored solutions grounded in concept and context. She has worked with clients such as Google, TOUS, Typeform, Het Parool and the Barcelona City Council, and regularly collaborates with design studios worldwide. She is a member of the digital type foundry Type-Ø-Tones, where she publishes and promotes her typefaces. She is also the author of TypoMag. Typography in Magazines and co-author of How to Design Typefaces. From Sketch to Screen. Her work has been recognized with awards from the Type Directors Club, Laus, Communication Arts, ISTD, the Gràffica Award (2018), and a Special Mention at the Barcelona City Awards (2024). She currently combines her professional practice with teaching, lectures and exhibitions focused on typography.
A cover is a world of its own—the entry point from page one. A well-designed cover is a clear statement of intent, setting expectations for what lies within the publication. In this masterclass, you will explore the power of editorial cover design and understand how to create compelling visual openings that capture attention and define the identity of a publication.
Faculty
DIEGO ARESO, ART DIRECTOR AT EL PAÍS
At El País, he oversees the design of supplements such as El País Semanal, Babelia, Ideas and El Viajero. Between 2014 and 2016, he worked at Condé Nast México, where he led the design of magazines including Vogue, GQ, Glamour and AD, as well as the art direction of Vanity Fair. Previously, he was art director of S Moda, head of design at the newspaper Público, and has worked on magazines such as PlayStation, Xtreme-Superjuegos, MAN, Maxim and Quo.
You will learn to strengthen your business mindset and transform a creative idea into a profitable and sustainable venture. You will discover the keys to turning projects into real opportunities, exploring areas such as strategic planning, resource management, market analysis, and value proposition.
Faculty
MARIO SORRIBAS, BUSINESS STORYTELLING AND PERSUASIVE COMMUNICATION CONSULTANT AND TRAINER
Founder and Head Storyteller at Storytelling&Co., specialised in the strategic use of corporate narratives as a communication tool. For more than 10 years, he has worked with companies, organisations, and institutions helping them build authentic and emotional stories that connect with their audiences. He is also part of the Red de Consultores Totales, where he promotes the creation of purpose-driven, human, and collaborative businesses capable of generating value and a sense of belonging.
You will explore the principles of Design Thinking through a new perspective on collaborative design that places the user at the centre and rethinks and adapts traditional design processes. You will acquire the tools needed to develop new methodologies in creative and entrepreneurial processes, using the latest techniques such as Manual Thinking, SCAMPER and lateral thinking.
Faculty
BORJA MARTÍNEZ, CREATIVE DIRECTOR
Specialist in innovation methodologies, collaborative processes and user-centred design. Throughout his career, he has worked on projects connected to creativity, entrepreneurship and strategic thinking, helping teams and organisations develop innovative solutions through design methodologies and creative problem-solving tools.
The Master’s Final Project (TFM) is developed using a collaborative working methodology that emulates the real workflow of a newsroom or editorial studio. Throughout the project, you will integrate the strategic and technical knowledge gained during the programme to create a comprehensive editorial project: from conceptualising the narrative line and art direction to developing the editorial content architecture and final artwork. The process covers every phase of a professional publication, including prototyping the digital editorial experience and industrial production planning, culminating in a project ready for market distribution.
Tools
Everything you need to design, explore and experiment is included from day one.
Professional Certifications
During the Master’s program, you will have the opportunity to become certified in Adobe Creative Cloud software through the Adobe Certified Professional credential—an industry-recognized certification that validates your proficiency with Creative Cloud tools and your foundational knowledge for careers in digital media.
In the Master’s in Editorial Design and Digital Publishing, you will receive preparation to obtain certifications in Visual Design using Adobe Photoshop, Graphic Design & Illustration using Adobe Illustrator, and Print & Digital Media Publication using Adobe InDesign. Throughout the program, you will benefit from a dedicated support plan to help you succeed in the certification exams, including software-specific content, an extended video library, and guided support within the learning environment.
Who is the Master’s in Editorial Design for?
The Master’s in Editorial Design and Digital Publishing is aimed at students who want to develop their skills in editorial design and production. The program will enable you to design and implement a complete editorial project, from initial concept through to digital or print publication.
The program focuses on content as the starting point, allowing you to translate ideas into clear, structured concepts and adapt them to the most appropriate platform for each project. Graduates of the program develop the creative and strategic skills needed to produce original editorial designs for real-world contexts.
Students who complete this program gain the ability to understand, manage and lead the entire editorial process through to publication.
Entry profile
The Master’s in Editorial Design and Digital Publishing is aimed at individuals interested in editorial and graphic design who have a background or professional experience in:
- Design
- Communication and Advertising
- Fine Arts
- Journalism
- Advertising and Public Relations
- Audiovisual Communication
- Other fields, provided applicants have proven professional experience in design, supported by an academic background and/or portfolio.
Career Opportunities of the Lifelong Learning Master’s in Editorial Design and Digital Publishing
Our Master’s in Editorial Design and Digital Publishing has helped our students advance their professional careers:
- 48% have developed new products, projects, strategies or business initiatives.
- 48% have improved their professional position.
- 66% have strengthened their knowledge and skills.
- 36% have increased their salary.
Through the program, students learn to communicate effectively through editorial and digital formats, enabling them to grow professionally in areas such as:
- Editorial Designer
- Art Director in Publishing
- Digital Layout Designer
- Digital Magazine Designer
- Digital Content Editor
- Digital Publishing Consultant
- Editorial Design Consultant
- Freelance Professional
Degree
Upon successful completion of the programme and after completing the required administrative procedures, you will receive the ESDESIGN Master’s Degree. In addition, you will have the possibility of obtaining a Professional Master’s Degree from the Universidad Internacional de Valencia, provided that you meet the academic, documentation, payment and administrative requirements established by the institution.
To obtain this qualification, you must hold a prior university degree (Bachelor’s Degree, Engineering Degree or equivalent). In exceptional cases, if you do not hold such a degree but can demonstrate relevant professional experience in the field and have successfully passed the Master’s assessments, you will be awarded a Certificate from the Universidad Internacional de Valencia (VIU).
"Excellent university; the classes are great, the tutors are highly skilled, and the support they provide is incredible. Highly recommended."
★★★★★"It was one of the best experiences I’ve had. The quality of the faculty and the support provided were fundamental to my learning process."
★★★★★"Exceptional training"
"Excellent training and a great group of professional tutors. Highly recommended for those seeking a leap in quality for their career."
Admission Process
- Request information: complete the information request form for the lifelong learning master’s program.
- Advisory session: the admissions team will guide you to assess whether the program is the right fit for your profile.
- Documentation: submit the required documents for admission, including your CV, portfolio and a copy of your university degree.
- Evaluation: the admissions committee will review your professional profile.
- Admission decision: you will be notified of the committee’s decision, whether positive or negative.
- Enrollment: secure your place and begin your journey as an ESDESIGN student.
FAQs
The fundamental difference lies in how complexity and reading time are managed. While graphic design typically focuses on immediate visual impact and standalone pieces, editorial design provides the structure that allows large volumes of information to be organised within a coherent system of hierarchies.
Editorial design is not only about capturing attention, but also about sustaining it, managing visual rhythm and narrative so that users can navigate dense content without fatigue, whether in a printed book or an interactive digital environment. In this Master’s programme, this graphic foundation is taken further so that you are able to lead the entire value chain of a publication.
Yes, the programme is designed to transform designers, journalists and communication professionals into hybrid profiles. To support this transition, the Master’s includes the Adobe Open Classroom, where you will have six weeks to learn or improve your skills in InDesign, Illustrator and Photoshop from a beginner level.
The aim is to enable any communication professional to lead editorial projects upon completing the programme.
Yes, because print has evolved from being a mass-consumption medium into an added-value format associated with authority and permanence. In an industry saturated with fast, fragmented digital content, print design offers a framework for deeper reading and a level of durability that the online environment cannot replicate.
In this programme, print design is taught as a key technical component; mastering industrial production and the discipline of the physical page gives you precision in the use of typography and grid systems, which ultimately forms the essential foundation for successfully designing complex digital publications. Print teaches you to structure hierarchy in a definitive way, a critical skill for any contemporary art director.
Yes, the programme places typography at the core of any visual project. In the module Typography in the History of Editorial Design, you will analyse classifications and hierarchies to improve readability and aesthetics, while in Design and the Editorial Project you will explore the planning of grids, formats and editorial systems to create consistent and professional publications.
It is not mandatory, although familiarity with the digital environment is recommended. During the Master’s programme, you will have access to the Adobe Open Classroom, where you will learn to master InDesign, Photoshop and Illustrator from different starting levels. You will also learn to use Adobe InCopy professionally, enabling synchronised workflows between writing and design.